Nike Flightposite 1 Retro Black Released

The Nike Flightposite 1 Retro in Black will start releasing in stores late January to early February, but recently was added to Eastbay on backorder.

Eastbay will ship out January 30th 2008, and their retail price is $179.99, and some of the Nike Basketball fans of the late 1990s should be happy.

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21 Comments

  1. 2nd – its a given these will forever be in my top 5 shoes ever. I was dunking a few yrs before they released but i nvr copped the blk ones. the blue & white pair was my fav.

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  3. yo man these is one of my fav i had these backi in 7th grade in sky blue and white cant wait for my second pair

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  4. Anyone remember what these cost back in the day?

    I don't remember paying $180 for the pair I had. Seems like Nike is jacking up the price because of the popularity. Simply amazing shoe but with that price there are so many other kicks coming out I could buy.

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  5. yeah i paid 89.99 for the Navy/Wht ones. All the retro 95 and '96 are a bit over priced but we find a way to get the extra cash. i have so far for the Bakins, Deions, and the Flight 96.

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  6. I think ima sleep on these, the eggplant joints and the gold joints are supposed to come out to!!!

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  8. I think they know we're broke but will do anything to get a hold of them. It's like come on Nike are you really that greedy! Jordan XX3 for 180+, Jordan Packs for $300 all at the same time??? Get too many shoes out and they might just realize they are gonna have shoes in the outlets like the Air Force 25s. My area store had a sale and I got 4 PAIRS of the league packs($200ea) for $120. I waited for them and I can wait for these to pop up too.

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  10. man these take me back. never copped tho.. didn't this used to be Tim duncan shoe?

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  11. crack..but ima fall back for the gold and eggplant tho to much black posite s in my collection

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  12. $180….shit I only paid 160 for my OGs. WTF is up with the price hike??? I want them bad!!!!!!!!

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  13. I can't wait until these dropi remember my older brother had them in '99 and now it's my turn. I hope Nike doesn't make a cheap retro version with synthetic posite material like they did with the Doom and Penny foamposites. The quality on most of Nike's retro shoes from the 90's have been very I; there is still hope for the Penny II's later this year.

    Reply

  14. Laura stumbles and runs to Donna grabbing Jacques on the way.

    LAURA (continued)

    (screaming to Jacques)

    Get her out of here… get her out.

    He doesn't seem to be listening.

    LAURA (continued)

    (shouting)

    JACQUES…

    Laura falls full of panic to Donna.

    LAURA (continued)

    Donna, what are you doing?

    Rips her blouse off her waist. Donna is completely gone. Laura

    shakes her and screams into her face.

    LAURA (continued)

    Don't ever wear my stuff, don't ever

    wear my stuff. Never.

    DONNA

    (mumbling)

    Okay, I won't wear your stuff… Why

    can't I wear your stuff?

    LAURA

    Jacques, help me get her home. NOW!

    Jacques lifts Donna up and Laura follows Jacques and Donna out of

    Partyland. Donna continues to mumble.

    DONNA

    I won't wear your stuff.

    (then laughing)

    I promise.

    LAURA

    (crying, holding Donna's hand)

    Not you, Donna, not you.

    137. EXT. TWIN PEAKS CHURCH – SUNDAY MORNING

    On the screen it reads:

    "SUNDAY – FOUR DAYS BEFORE"

    FOLKS filing out of church. A COUPLE strolling down the sidewalk.

    A happy dog bounds about.

    138. EXT. BIG ED'S GAS FARM AND THE HURLEY HOUSE – DAY

    Out in the yard of the Hurley House Ed Hurley tries to skin a deer

    which is hanging off a branch of a tree. He is not having much luck

    and is not showing much enthusiasm either. Nadine Hurley comes

    storming out the house with her own very large butcher knife – very

    upset with Ed's progress.

    NADINE

    ED… ED.

    (pushing him away)

    I'll take over here.

    Ed backs off and Nadine dives in slicing.

    NADINE

    You were cutting this deer like a

    sissy… Sit down and watch while I do

    it. AGAIN. THIS YEAR.

    Ed slowly backs into the house.

    139. INT. HURLEY HOUSE – DAY

    Ed joins his assistant, SPARKY, and they stand in the living room

    gazing out the window at Nadine ferociously skinning the deer.

    ED

    (with a wink)

    Works every year…

    They laugh.

    SPARKY

    Sure wouldn't work at my house. My

    wife couldn't take the wrapper of a

    twinkie.

    140. EXT. CLEARING IN THE WOODS – DAY

    SHERIFF TRUMAN and JOSIE PACKARD break from a kiss. Smiling, Truman

    goes back to gently strumming his guitar.

    TRUMAN

    Josie, I think we should go public.

    JOSIE

    That would be wonderful, but it's only

    been a year since Andrew died.

    TRUMAN

    What are you afraid of? What people

    think?

    JOSIE

    I don't want to offend the customs of

    your country.

    TRUMAN

    Believe me, Josie, you would not offend

    the customs of this country. For

    instance, I don't eat fish eyes.

    JOSIE

    Fish eyes?

    TRUMAN

    Even if it offended someone, I wouldn't

    eat a fish eye.

    JOSIE

    Why wouldn't you eat a fish eye, Harry?

    TRUMAN

    I saw a guy eat a fish eye once in

    Seattle. He was digging through his

    food with his chopsticks for about five

    minutes till he found the fish eye and he

    dropped it into his throat. I guess it

    must have gotten stuck in his uvula

    because right away he started to have

    trouble. His throat began to flutter

    there like there was a wind blowing.

    And he couldn't swallow and they rushed

    to him and loosened his collar and they

    were asking him if he was alright and

    he started to turn blue and his eyes

    started to roll back into his head and he

    still couldn't get the fish eye out and

    they tried to do a Heimlich maneuver. I

    went over to him as they were

    preparing to do an emergency

    tracheotomy. They were over him with

    a knife when he suddenly shot the fish

    eye out of his throat and right onto the

    ceiling. Splat! It just stuck up there

    and spread out. It was about the size of

    a half dollar. And that's why I don't ever

    eat fish eyes.

    He plays the guitar for Josie. Then stops.

    TRUMAN (continued)

    I'm not saying it's right or wrong, it's

    just the way I feel. It's the custom

    thing I was thinking of. In America we

    don't use any part of the fish but the

    meat just to the side of the insides. We

    throw away the tail, the rest of the

    insides and the head.

    JOSIE

    I understand.

    TRUMAN

    We throw away the _whole_ head.

    141. INT. MOTEL ROOM – DAY

    PHILIP GERARD, the one armed man, in a deep sweat kneels in front of

    a circle of twelve lit candles, fighting for air and struggling to

    hear something.

    142. INT. HAYWARD HOUSE, LIVING ROOM – DAY

    Donna and Laura sit across from one another on the couch.

    DONNA

    I can't remember anything about last

    night. Is there something I should

    remember?

    LAURA

    No, you should forget about last night.

    DONNA

    Laura, I am your friend.

    LAURA

    I know you are and you don't have to do

    anything crazy to prove it.

    DONNA

    You're not mad at me?

    LAURA

    No.

    DONNA

    I feel so bad. I had nightmares all night

    long.

    (studies her friend)

    They all knew you at that place.

    LAURA

    What can I tell you?

    DONNA

    How did the car get back here?

    LAURA

    WE got it back, that's all.

    DONNA

    How did I get in the house? How did I

    get into my bed?

    LAURA

    I can't help you there.

    DONNA

    Was I wearing something of yours and

    you got mad at me?

    LAURA

    All my things have me in them. I don't

    want you to be like me.

    DONNA

    But I love you, Laura.

    LAURA

    And I love you, too. But don't wear my

    stuff.

    DONNA

    Why do you do it, Laura?

    LAURA

    Cause I like it.

    She takes Donna's head into her hands and kisses her.

    ON LELAND

    Leland is standing at the other end of the room. As he stares at the

    girls we move in on his face.

    143. INT./EXT. BLUE DIAMOND CITY MOTEL

    LELAND FLASHBACK

    Leland looking into another room seeing Laura and Ronette sitting face

    to face on a bed.

    144. ON THE SCENE

    Leland looking at the girls.

    LELAND

    Excuse me, honey…

    Laura turns to him with a start.

    LELAND (continued)

    We're late to meet Mom for breakfast.

    DONNA

    (to Laura)

    Catch you later.

    Leland and Laura leave.

    145. INT. LELAND'S CAR – DAY

    Leland and Laura drive along. Leland becomes preoccupied with

    something in his rear view mirror. Laura turns to see a car

    erratically coming up behind them. Leland slows down and stops for

    a red light at Sparkwood and Twenty One. In front of them is a huge

    logging truck. Laura smells something.

    LAURA

    Dad, is the engine on fire? Something

    is burning.

    Leland turns and gives her a look.

    The car that was tailing them races around them, races around the

    logging truck, and comes back around stopping on Leland's side of

    the car.

    Leland spots Gerard, the one armed man, behind the wheel – sweating

    like crazy.

    LAURA (continued)

    Something is burning.

    Leland starts to rev his engine while holding the brake with his left

    foot.

    LELAND

    It's the engine.

    GERARD

    You stole the corn. I had it canned

    above the store.

    Leland is panicked. The car is slowly screeching towards the large

    lumber truck in front of them.

    GERARD

    (shouting at Laura)

    Miss, the look on her face when it was

    opened. There was a closeness. Like

    the formica table top.

    The car is now smoking and making a horrendous sound. Gerard

    continues to yell, but we can barely hear it.

    GERARD

    The thread will be torn, Mr. Palmer, the

    thread will be torn.

    Leland turns to Laura. Sweat pours from his forehead.

    While Leland is turned away, Gerard holds up his hand with a ring on

    the little finger. He is shouting over the engine noise and the horn

    which Leland has begun to blow frantically.

    GERARD

    (shouting)

    It's him. It's your father.

    Laura can't make this out over the noise.

    The light turns green. Gerard takes off away from them. As soon as

    the logging truck moves Leland lets go of the brake and the car flies

    into a service station on their right. Everyone around there has been

    watching a commotion on a Sunday afternoon.

    LAURA

    DAD!… What was that all about? Who

    was that?

    A YOUNG MECHANIC runs up to their car.

    MECHANIC

    Mr., Mr., you shouldn't do that to your

    engine. You ought to take it easy, Mr.,

    you're going to burn your engine out.

    LELAND

    What the hell was all that? Why doesn't

    someone do something about all of this.

    My god, that guy came out of nowhere.

    He was harassing my daughter.

    Leland stares at Laura trying to compose himself.

    LAURA

    Dad, are you all right?

    146. INT. PALMER HOUSE

    CU FLESH WORLD MAGAZINE/LELAND FLASHBACK

    The Title "Fleshworld" on a magazine. In the magazine we see Leland

    find a picture of Teresa Banks. He whispers.

    LELAND

    Teresa Banks. You look so much like my

    Laura.

    Leland dials the phone.

    147. INT. BLUE DIAMOND CITY MOTEL ROOM

    CU TERESA BANKS

    She is talking on the phone.

    TERESA

    That sounds like fun… Where did you see

    my picture?… Okay, come to the Blue

    Diamond City Motel… Yes, that's just

    your side of Blue Diamond City… I'll be

    there. Room one two three… Right, as in

    "Get Ready".

    LELAND

    On top of Teresa in bed. All whispers.

    TERESA

    (smiling)

    When's the next business trip, big fella?

    LELAND

    Soon. How about next time we party

    with the girlfriends you told me about?

    TERESA

    I can arrange that. I like that.

    He kisses her and covers her eyes with a hand.

    TERESA

    What are you doing?

    LELAND

    Who am I?

    TERESA

    I don't know.

    LELAND

    That's right.

    End of flashback.

    149. BACK IN THE CAR WITH LAURA

    Leland is still sitting and staring at Laura.

    LAURA

    (trying to get his attention)

    Dad… Dad… Who was that? How do you

    know him? He looked familiar. Have I

    met him?

    LELAND

    No, you haven't met him. Have you met

    him?

    LAURA

    No.

    LELAND

    We're late to get to your mother.

    LAURA

    Just sit here for a moment. You seem

    very upset.

    LELAND

    (mumbling to himself)

    Guy just pulls up out of the blue… I

    mean… what is this world coming to?

    150. LELAND FLASHBACK – BLUE DIAMOND CITY MOTEL

    Open on a sign saying Blue Diamond City Motel.

    Leland comes down an outside walkway towards an open room. Suddenly,

    he stops short and jumps back. He cautiously takes a second look and

    sees Laura and Ronette sitting on the edge of a king size bed talking.

    Leland is about to leave when there is a tap, tap, tap on his back.

    He spins around to see Teresa Banks who has come up behind him.

    TERESA

    What's wrong?

    LELAND

    (moving further from the room)

    Nothing, I chickened out.

    He shoves a wad of money into her hand and practically runs away.

    Teresa cocks her head and wonders, while she watches him hurry away.

    End of Flashback.

    151. BACK IN THE CAR WITH LAURA

    Leland and Laura are in the car. Leland starts the car.

    LAURA

    Are you sure you're okay?

    LELAND

    Yes.

    Leland pulls out onto the road. After they drive for a bit.

    LAURA

    Dad?

    LELAND

    Yes.

    LAURA

    Did you come home during the day last

    week?

    LELAND

    No.

    LAURA

    Oh, I thought I saw you.

    LELAND

    You know, I did come home, come to

    think of it, on Thursday. I had a severe

    headache and I was driving in the

    neighborhood so I just darted in and out

    of the house.

    (studies Laura)

    Where were you, Laura? I didn't see

    you?

    LAURA

    I was down the street.

    Laura studies the look in her father's eye as long as she dares and

    then turns away.

    CLOSEUP: LELAND

    As he drives along.

    DISSOLVE TO:

    152. FLASHBACK – BLUE DIAMOND CITY MOTEL

    Teresa watching with her head cocked as Leland hurries off.

    DISSOLVE TO:

    153. INT. ROADHOUSE

    JACQUES ON THE PHONE

    JACQUES

    Hey, Teresa… what?

    TERESA'S VOICE

    What does Ronette's father look like?

    JACQUES

    A short guy… heavy set… balding…

    TERESA'S VOICE

    What does Laura Palmer's father look

    like?

    JACQUES

    Very handsome… wavy black hair. He

    looks like a movie star.

    154. INT./EXT. PAY PHONE

    ON TERESA

    TERESA

    (into phone)

    No, this was a big huge guy. Six four…

    Nose broken… like he was a boxer.

    Teresa hangs up the phone and redials – smiling as though she has won

    the lottery.

    155. INT. LELAND'S OFFICE

    ON LELAND

    He answers the phone.

    LELAND

    Hello?

    TERESA'S VOICE

    Hey Handsome, this is your little party

    girl.

    ON LELAND'S FACE

    His jaw tightens.

    156. EXT. DOUBLE R DINER

    Leland pulls the car into the Double R. Sarah stands out front

    waving.

    SARAH

    (calling)

    Where were you two?

    157. OMITTED

    DISSOLVE TO:

    158. CLOCK IN LAURA'S ROOM

    It reads: 8:00.

    Laura sits at her desk staring off into space.

    DISSOLVE TO:

    159. LAURA'S FLASHBACK BEGINS – HIGHWAY 21

    Laura remembers the one armed man yelling out to her. Her attention

    now goes to his one hand. She remembers the look of the ring he was

    wearing.

    160. LAURA'S FLASHBACK CONTINUES – THE RED ROOM

    Then she remembers the Man From Another Place giving her the ring in

    her dream. It is the same ring.

    161. LAURA'S FLASHBACK CONTINUES – BLUE DIAMOND CITY MOTEL

    Then she remembers being in the Blue Diamond City Motel with Ronette

    when Teresa entered the room.

    TERESA

    The guy split.

    Teresa sits down between them and brings them close to her in a sexual

    embrace. Teresa brushes away some hair that has fallen over her face.

    As she does this Laura sees the SAME RING.

    TERESA (continued)

    (as she moves her hair away)

    I guess it's just us girls.

    END OF FLASHBACK

    162. INT. LAURA'S BEDROOM

    LAURA

    (to herself)

    The same ring…

    Laura is jolted by Bob's Voice.

    BOB'S VOICE

    That's not important. I will tell you

    what is important. The fan will soon be

    starting.

    LAURA

    Who are you? Who are you REALLY?

    BOB'S VOICE (continued)

    I am the One who wants to breathe thru

    your nose and taste thru your mouth.

    163. INT. PALMER LIVING ROOM – NIGHT

    Leland pacing the living room.

    164. LELAND: FLASHBACK

    _Nighttime_in_the_woods_. We see Leland crush Teresa Banks' face and

    skull with a pipe until she is dead. We hear the gurgling of the

    Wind River behind her.

    END OF FLASHBACK

    165. INT. PALMER LIVING ROOM

    BACK ON LELAND

    Leland continues to pace. He wipes some sweat from his forehead.

    DISSOLVE TO:

    166. INT. PALMER HOUSE, DINING ROOM – MORNING

    A sign on the screen reads:

    "TUESDAY – TWO DAYS BEFORE"

    Laura sits at the dining room table eating her breakfast. Leland

    pokes his head in.

    LELAND

    (cheerfully)

    Don't forget: It's Johnny Horne's

    birthday today.

    167. INT. LAURA'S ROOM – MINUTES LATER

    Laura's hands are shaking as she does a line of cocaine. It is the

    last stuff she has — she puts the empty packet into her diary.

    168. INT. HIGH SCHOOL – DAY

    Laura corners Bobby in a hallway.

    LAURA

    I'm nearly out.

    BOBBY

    It's taken care of, babe. You and I are

    going to make a big score tonight.

    (gives her a bag)

    This will tide you over.

    LAURA

    Thank you, Bobby. A big score?

    BOBBY

    Maybe our biggest. I'll see you two

    doors down from your place at 11:00.

    LAURA

    Don't be late.

    She takes off down the hall. Rounding another corner she sees James

    coming towards her. James looks around to see if the coast is clear

    and seeing it is, moves close to her.

    JAMES

    I've got to see you.

    LAURA

    Not now.

    JAMES

    This afternoon?

    LAURA

    Okay.

    (remembering)

    Oh god, it's Johnny Horne's birthday

    today.

    JAMES

    What about tonight?

    LAURA

    I can't tonight.

    JAMES

    What's going on?

    LAURA

    (freaking out)

    I just can't, James. I can't do it.

    Laura keeps going. Donna comes around next to James. Together they

    watch Laura walk away.

    169. EXT. GREAT NORTHERN – DAY

    Establish

    170. INT. GREAT NORTHERN, BENJAMIN HORNE'S OFFICE – DAY

    Open on Laura's picture on top of Ben Horne's desk. Then discover

    that Leland is staring at Laura's picture.

    Wider we see BENJAMIN HORNE trying to blow up a large rubber Indian

    for his son JOHNNY. SYLVIA and JERRY HORNE stand nearby supervising.

    Johnny comes up one inch in front of Leland's face.

    JOHNNY

    Happy Birthday, Johnny.

    LELAND

    Happy Birthday, Johnny.

    Johnny moves to one inch in front of Jerry's face.

    JOHNNY

    Happy Birthday, Johnny.

    JERRY

    Happy Birthday, Johnny.

    Ben reacts to a huge moccasin print in the middle of the birthday cake

    in the middle of his office floor.

    BEN

    Why did we have to have the party here

    in my office?

    SYLVIA

    Because Johnny wants it in your office.

    What's so "private" "private" about your

    office, anyway? Why can't we have the

    party in your precious office?

    JERRY

    It's a lovely place for a party, Ben. And

    look at the new decorations Johnny's

    provided.

    They look down and see Johnny's foot completely ringed in white

    frosting roses. Frosted footprints trail behind him everywhere.

    Johnny goes one inch in front of Laura's picture.

    JOHNNY

    Happy Birthday, Johnny.

    Leland looks again at Laura's picture. He looks up at Ben.

    LELAND

    (oddly confrontational)

    Don't you have a picture of Audrey, Ben?

    That sets Sylvia off again.

    SYLVIA

    Don't you have a picture of your own

    daughter, Ben? Where's Johnny's

    picture?

    (exploding)

    And where's _my_ picture I gave you?

    BEN

    At the photographer's studio getting a

    gold frame with floral monograms of

    your birthday and our wedding vows.

    Johnny moves one inch in front of Ben.

    JOHNNY

    Happy Birthday, Johnny.

    BEN

    (trying not to explode)

    Happy Birthday, Johnny.

    JERRY

    Johnny, Johnny… let your Daddy and your

    Uncle and Leland talk.

    (turning to Ben)

    Ben… Leland, we can play the French

    against the Norwegians. What do the

    French love more than anything?

    LELAND

    (part of Jerry's presentation)

    Boating?

    JERRY

    No.

    LELAND

    Hiking?

    JERRY

    No.

    LELAND

    Eating?

    JERRY

    You'd think so.

    LELAND

    Sex?

    JERRY

    You're getting warmer.

    LELAND

    Trees?

    JERRY

    Exactment. They are nuts about wood.

    They get goofy over trees.

    SYLVIA

    I've never heard anything like this

    before. The French liking wood anymore

    than anyone else likes wood. Are you

    three crazy?

    LELAND

    Sarah's cousin is French and she can't

    stop talking about the trees around

    here.

    JERRY

    History is on our side, Ben. It's no

    accident that the great explorers were

    named Hennepin, Nicollet, Marquette.

    LELAND

    They were looking for wood.

    SYLVIA

    (exasperated)

    Oh…

    As they talk Johnny circles the blowup Indian and with a mighty bang

    pops it with his tomahawk. "Bang".

    Reply

  15. i hope they going to be the same quality as the O.G and for those u said they neva paid 180 wat flights did u buy the eggplants and army gold green were 180 and the white black sliver b were to if stop buying the nike outlets versions lol you would i still got eggs and army fresh in box respect cant wait till they retro so i kan rock them

    Reply